| <i>No Logo</i> was no surprise |
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| Tuesday, 30 November 1999 00:00 | |
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Anti-Capitalism Special Issue Penny Hayes
Naomi
Klein is a 31-year-old Canadian journalist who wrote a book called No
Logo: Taking Aim at the Brand Bullies.
She became political at university, after hearing about an anti-feminist
hate crime in which a man massacred fourteen women at the University of
Montreal, because he failed to get a place in the engineering school
there. According to Naomi: "It was a cataclysmic moment. It
politicised us enormously. Of course, after that you call yourself a
feminist."
Throughout
her student years she was involved in politics largely on campus at the
University of Toronto, and was influenced by identity politics,
concerning herself largely with issues of the representation and
visibility of particular groups (women, gays, Jews: whoever needed it,
really), at times with a certain degree of confrontation. She dropped
out and became an intern, and has since established a career as a
journalist. She now contributes columns to a number of big newspapers in
the US on the subject of anti-corporate activism.
Since
the publication of No Logo,
Klein has been identified as one of the "brightest stars" of
the anti-capitalist movement, "giving voice to the movement almost
before it existed." The book has been translated into nine languages,
and has been a bestseller in Australia, Britain, America and Canada. The
Times identified her as one of the
most influential people in the world under the age of 35. No
Logo was considered "too
subversive" to be taken into Switzerland by British booksellers
heading to a conference opposing the World Economic Forum in early
February this year, a decision that was only reversed after a massive
public outcry.
Its
popularity can only have been enhanced by the way it has been embraced
by popular culture. The band Radiohead were so inspired by the book that
they adopted the slogan No Logo in their latest tour and banned
corporate advertising from its British leg, and even debated about
naming their third album (eventually titled Kid
A) No Logo. Ed O'Brien, the
guitarist, was quoted as saying that "No Logo certainly made me
feel less alone. She was writing everything I was trying to make sense
of in my head. It was very uplifting."
Frighteningly,
from a tactical point of view, No
Logo has been described as
"the Das Kapital
of the growing anti-corporate movement" - the movement's handbook,
manual, even bible.
So, we
have established that Klein considers herself and is considered a part
of the anti-capitalist movement. This doesn't mean she has managed to
accurately identify even some of the key conclusions that can be drawn
from an examination of the movement. In fact, her analysis is highly
problematic.
The
basic argument in No Logo: Taking Aim at the Brand Bullies
Klein's
basic argument relies on the observation of the rise of the brand and
what that means in the lives of ordinary people, particularly its target
market of "young people." She argues this in a sequence of four
sections: No Space, No Choice, No Jobs, and No Logo.
No Space
refers to the way in which advertising is encroaching on our lives more
and more, leaving less space brand-free. Marketing has emerged as an
increasingly significant part of the firm's profit-making activities
over time. Klein takes this a step further by arguing that at some point
during the 1990s, the "image" or "branding" of the
company and its activities surpassed the product itself in terms of
importance from a profitability perspective.
In No
Choice Klein outlines the way in which the corporation grows in size,
through mergers and takeovers. The big brands effectively force out
small businesses and take over as much physical space as possible, with
"mergers" and "synergy" being the business buzzwords
of the day. Although she doesn't state this directly, the tendency
towards monopolistic market conditions means less choice for consumers.
This, she argues, is essentially undemocratic, particularly when coupled
with the level of influence giant corporations have over what she calls
"culture," and the fact that with the branding of ideas comes the
branding of politics.
No Jobs
deals with the topic of the labour force, detailing the widely known
practice in some of the more flexible industries of moving production to
Third World countries to take advantage of lower labour costs, and the
subsequent imposition of appalling working conditions, particularly by
the bigger transnational corporations. Klein hammers this home by
identifying elements of the casualisation of labour taking place in the
advanced capitalist countries: for example, the practice of permanent
temping by companies who want to get around having to provide job
security and other "perks" normally given to permanent
employees.
The last
section of the book, No Logo, describes what has become known as the
anti-capitalist movement, which according to Klein is provoked by the
frustration of youth at having even their politics branded by the likes
of The Body Shop and the Spice Girls. She argues that anti-corporate
activism is on the rise precisely because branding has worked so well.
Many of the largest companies have tried to capture the youth market by
proclaiming that their products have some connection with ideals,
usually in the form of ethical considerations or equality, setting the
standard for their own behaviour quite high. A side effect of fostering
a sense of righteousness in your target market is that when your
branding is revealed to be inconsistent with your practice, your
customers already have a seed of consciousness planted, which makes them
more likely than before to have the capacity to turn against you. Given
that the corporate presence is taking up more space than ever before,
they are increasingly vulnerable to backlashes. Klein explains the
anti-capitalist movement in these terms.
A
critique of No Logo
Klein
has not really said anything new. In the first section, "No Space,"
Klein identifies a tendency for the brand to have emerged over and above
the actual product, backing it up by detailing the massive increase in
marketing budgets in the United States. She rightly points out that the
decline of manufacturing in the West has not been mirrored in the
developing countries, because transnational corporations have taken to
setting up production in countries with cheaper labour costs. All this
is fine, of some value in terms of providing ammunition against the
corporate PR.
Beyond
that, it doesn't do anything else. The book describes some of the
concrete symptoms of a new stage of the capitalist mode of production,
but ignores the underlying logic of the system that produced them in the
first place, precisely because the book lacks any kind of coherent
theoretical perspective. In limiting the scope of her analysis to an
examination of capitalism in its contemporary form, she ignores the
historical evolution of a system founded on exploitation. Instead, Klein
prefers to put everything down to changing "culture," manifested in
a change in consciousness, including politics, as corporates adopt
"values" ultimately as public relations exercises to enhance
profitability.
The move
to branding, the lack of space due to the expansion of the firm, and the
casualisation of labour are not redundant observations. To Marxists,
they were completely expected, as they can be explained with reference
to the contradictions inherent in the capitalist system. While the book
provides some descriptive depth, what Klein has to say comes as No
Surprise. Her proposed solution is vague and lacking in any of the
essential details: a backlash or rebellion on the part of the majority
of the world's population who are being screwed over by the ruling
class. The biggest crime Klein commits is missing the fundamentals of
the method to fight back.
A
question of method in the anti-capitalist movement, or How do we make
sure we win?
Klein
rests all her arguments on her own hypothesis that there is a limit to
how much people will take, hence, the movement has emerged as the almost
definitive response. The problem with this hypothesis is that there is
nothing magical about the 90s or about the brand that makes the time
ripe for a buildup of resistance like the anti-capitalist movement:
rather, the brand's rise reflects one more stage in the development of
capitalism. The book lacks this fundamental grounding in historical
context which would highlight the fact that it is not the first time
people have gathered in large numbers to tell the ruling class what they
think of them.
Klein
proposes no alternative to the status quo. She remains "optimistic
about the potential" of the movement, but this is because she has
no expectation for any particular outcome. When questioned about what
she predicts from the movement, she manages to dodge the question with a
"let's wait and see" approach: we could be moving towards
either a "global 'New Deal'" or "something" way more
radical than that. Inevitably, though, it seems that this lack of an
historically grounded critique of capitalism to properly inform the
movement will cause her to default to reformism. Improve labour laws,
and win the culture jamming war, and everyone will live happily ever
after.
So what
is the movement then, exactly? Diversity which should be celebrated?
Klein argues it is the early stages of a reinvention of Left politics,
the beginning of an analysis of global capitalism. As an amalgam of
environmentalists, socialists, trade unionists, anarchists and other
activists, it has been criticised because of its lack of coherency. And
while there is a shared belief that the disparate problems with which
they are wrestling all derive from an agenda that is concentrating power
and wealth into fewer and fewer hands, Klein refuses to define the
movement, because its diversity could reinvent itself, indeed, synergise
like its targets: "Before they sign on to anyone's 10-point plan,
they deserve the chance to see if, out of the movement's chaotic,
decentralised, multi-headed webs, something new, something entirely its
own, can emerge."
But
while the movement is diverse, two points need to be emphasised.
Firstly, organisation is central to building momentum and ensuring the
movement isn't quashed by the counterattack of the ruling class.
Secondly, while the various campaigners within the movement might place
different emphasis on different aspects of a proposed alternative, it is
vital that the movement maintains a collective consciousness of the
broader, shared objective. We are all fighting against so obvious an
enemy - the wider phenomenon of capitalism, with the profit motive as
its sole driving force over and above the majority of the world's
population and the environment.
Who
should the movement's targets be? Klein is again a little confused on
this issue. She rightly points out that it's not just a case of bad
governments granting power to the IMF, the WTO and corporations in the
first place, but she misses the point. She argues they are easy targets
and "metaphors for the global economy going awry." This is
problematic: firstly, it treats the state as neutrally acting at the
whim of big business, with no other mediating factors, which is highly
simplistic; and secondly, it places too much emphasis on treating the
symptoms rather than the cause: it is not a case of the global economy
going awry, but the capitalist economy forging on to its own disastrous
conclusions in the way it always has.
Despite
her earlier enthusiasm about the movement's scope and militancy, Klein
has argued more recently against mass actions as the means for achieving
its objectives. When she spoke at a meeting during Adelaide's Festival
of Ideas in mid-July, she went so far as to say it was a good thing that
the World Trade Organisation had shifted its meeting to the repressive
state of Qatar, because it provided a "much-needed incentive for
activists to forget about big protests and organise their local primary
schools instead." Working with the local community is therefore seen as
a substitute for trying to establish links with the international
working class.
Firstly,
Klein's fairly elitist attitude towards mass actions (which she refers
to as "McProtests") is at odds with the basic idea of
democracy. One of the most illuminating aspects of watching footage of
Seattle or any of the other mass actions is that you get to see a
snippet of what the majority of the world's population feels. People
don't gather en masse like they have done again and again for any other
reason than because they are angry and have a point to make. Apart from
stopping work and seizing control of the means of production, it is the
most effective way for the mass of people to make their voices heard
above the din of the whinging business elite. As they said at Seattle -
"this is what democracy looks like, this is what democracy feels
like!"
Even
with the best of intentions, it is fundamentally undemocratic to dictate
to the movement how they should be fighting their battles. Secondly and
even more importantly, the celebration of diversity can lead very
quickly to distraction from the shared goal of the movement, by sending
its various elements off in different directions and undermining its
strength and unity, hence the ruling class maxim "divide and
conquer." Thirdly, the reality is that mass actions are inspirational,
both because they are effective, and because they demonstrate the
capacity of the world's oppressed to fight back. You don't have to be in
the middle of an action to feel the euphoria either - you can get it
even from watching the highly misleading version in the mainstream
media.
The
question of boycotting or "consumer responsibility":
consumption
versus production
Klein's
consumption habits are the subject of much scrutiny. Does she buy Nike
sportswear? Does she never nip into Starbucks for a flat white? Is her
wardrobe certifiably sweatshop-free? She responds to these questions
defensively, arguing that it isn't about where you shop. It would be
unfair to put such pressure on people when it won't make a great deal of
difference anyway: "This is not a consumer issue; it's a political
issue. There is a way for us to respond as citizens that is not simply
as consumers... The movement is really not about being purer-than-thou
and producing a recipe for being an ethical consumer."
Largely,
this makes sense. Boycotts and "responsible consumption" don't
make the problems of global capitalism go away. On the other hand, Klein
doesn't follow this through to its next logical conclusion that culture
jamming and adbusting (the practice of beating branding at its own game
by presenting alternative media representation, via parodying
advertising and hijacking billboards) aren't going to be successful for
the same reasons. While they raise awareness, it ignores the process of
production - where the real power lies.
While
Klein is right to get excited about the revival of consciousness the
anti-capitalist movement exhibits, so are the rest of us. And while none
of us really know where the anti-capitalist movement will take us, an
historically and theoretically grounded perspective at least lets us
begin to imagine where we want to make it go, and how to get it there.
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